Composition of Electroacoustic Music
Syllabus - Spring 2017 (preliminary)
Continuation of MUC4313, Introduction to Electroacoustic Music. Projects in electroacoustic music dealing with real-time, interactivity, live-electronic, and solo digital media.
(1) 4 GB Flash Drive (for data back-up and hard disk recording back-up)
(1) The Theory and Technique of Electronic Music (Puckette, 2006) download
10% Listening Reports
30% MAX tutorials/assignments
25% Composition No. 1: Tape work utilizing Cycling 74's MAX
25% Composition No. 2: Live-Electronic Composition
Office: Office 304/Lab 147/Studio 340
Office Phone No.: (352) 273-3176
Office Hours: see schedule
Professor: Dr. James Paul Sain [email]
Graduate Assistant: Luis Damiani [email]
GA Office Hours: TBA
Listserv (closed): email@example.com
1) All listening selections are from the Architecture and Fine Arts Library; please plan your time accordingly. A lack of planning on your part does not necessarily constitute an emergency on the part of our non-existent library support staff.
2) Late work is not accepted.
3) We are very fortunate to have a highly skilled graduate assistant (GA) serving this course (among numerous other duties). The GA will have regularly scheduled weekly office hours. Limited time may be available outside these office hours only at their discretion. Please contact the GA well in advance of your needs via email or in person after class (please respect the personal time of our GA). Come prepared with your materials well underway when working with the GA. As the assignments are designed to require you to apply the techniques demonstrated in class, the GA will only review the techniques and concepts outlined in the class lectures. Again, like the library staff, a lack of planning on your part does not constitute an emergency on the part of our GA.
4) Attendance is required at all classes. Should a class be missed, it is the student's responsibility to see that the lecture notes from the missed class are obtained from a classmate and any work assigned is completed by their return (a class list will be supplied to help facilitate this policy). After three (3) class absences your grade will be lowered one grade increment for each absence after three (ie A to A-, or C to C-). Your grade will be lowered one grade increment for each UnBalanced Connection concert missed. Each missed concert or presentation will also result in a reduction in your grade by one increment.
5) The Electroacoustic Music Studio is available for use by each electroacoustic music student.
6) You must return the studio to the normal condition after each use or your use privileges will be removed.
7) Plan early for your final project...things have a way of happening at the last minute.
8) The requirements, emphasis, and timing of this course may be changed or adjusted to meet the specific needs of the class as determined by the instructor.
9) All students of The University of Florida are expected to conduct themselves in a reasonable and professional manner at all times as described in the Student Honor Code; please refer to The Code for specifics.
10) UF Software Copyright Policy: All faculty, staff and students of the University of Florida are required and expected to obey the laws and legal agreements governing software use. Failure to do so can lead to monetary damages and/or criminal penalties for the individual violator. Because such violations are also against the University policies and rules, disciplinary action will be taken as appropriate.
11) UF Counseling Services - Resources are available on-campus for students having personal problems or lacking clear career and academic goals which interfere with their academic performance.
These resources include:
12) Students requesting classroom accommodation must first register with the Dean of Students Office in Peabody Hall. The Dean of Students Office will provide documentation to the student who must then provide this documentation to the Instructor when requesting accommodation.
13) My office door is always open; please feel free to drop by to discuss class issues as the need arises.
(look here for assignment handouts as the semester progresses)
A copy of all assignments should emailed in either .sit or .zip format to me at (if you're including large audio samples please give them to me on CD-R media):
Please use the following format to name your submitted work:
Week 1 (Jan 4 & 6)
Week 2 (Jan 9, 11 & 13)
Winkler: Chs. 1 & 2, pp. 3-37
Week 3 (ML King Holiday Jan 16; Jan 18 & 20)
Winkler: Ch. 3, pp. 41-70
- Max Assignment No. 1, MIDI Monitor
Week 4 (Jan 23, 25 & 27)
Winkler: Ch. 4, pp. 71-108
- Max Assignment No. 2, Transpose and Sequence
Week 5 (Jan 30, Feb 1 & 3)
Listening Report 1(Friday, 3 Feb 2015)
Week 6 (Feb 6, 8 & 10)
Winkler: Ch. 7, pp. 173-216
- Max Assignment No. 3, Algorithmic Composition and Hyper-Instruments
Week 7 (Feb 13, 15 & 17)
Winkler: Ch. 5, pp. 109-132
- Max Assignment No. 4, Granulation and Arpegiation
Week 8 (Feb 20, 22 & 24)
Week 9 (Feb 27, Mar 1 & 3)
Project No. 1 Due (tape work)
Week 10 (Mar 13, 15 & 17)
Winkler: Ch. 9, pp. 259-293
- Max Assignment No. 5, Standard MIDI Files and Score Following
Listening Report 2(Friday, 17 Mar 2015)
Week 11 (Mar 20, 22 & 26)
Winkler: Ch. 6, pp. 135-172
Week 12 (Mar 27, 29 & 31)
Winkler: Ch. 8, pp. 221-257
- Max Assignment No. 6, .aiff files and playback
Week 13 (Apr 3, 5 & 7)
Winkler: Ch. 10, pp. 295-322
- Individual Work, Project No. 2
- Max Assignment No. 7, alternative controllers
Week 14 (Apr 10, 12 & 14)
Week 15 (Apr 17 & 19)
Listening Report 3(Wednesday, 19 Apr 2017)
ELECTROACOUSTIC CONCERTS: All students are required to participate in the UnBalanced Connection 58 concert on 7 April 2017. This includes both set-up (starting at about 2:00pm) and strike (ending around 10:30pm). Students are encouraged to have compositions presentable for performance on the UnBalCon concert. All students will be expected to set-up, attend, and tear-down for these concert. The concert is normally held in MUB 101. Please clear your schedules early to avoid a conflict.
LISTENING REPORTS (quantity 3): A written critique of compositions on each listening list. These reports, printed or type written, should contain ample and objective prose describing the works on the listening list. These descriptions should demonstrate an understanding of the techniques used to produce the work as well as the aesthetic of the composition.
COMPOSITIONS: Creative work to demonstrate understanding and application of principles discussed and experienced during the course of the semester as well as the aesthetics of contemporary electroacoustic art music. All compositions will be considered for performance. Those compositions not presented on an UnBalanced Connection concert will be presented during the final examination. These compositions will be retained/archived. Do not hand in your only copy.
SAFETY HINT: Always keep several back-up copies of your work on CD-R media or flash drives; if you have a personal Macintosh you may wish to keep one copy on your personal hard-drive. Do not use the lab's/studio's hard-drives as personal storage devices. Doing so will most likely result in the loss of your work. All drives are regularly cleaned of all unauthorized software, files, and documents. Do not reorganize any software on the platforms in either the Computer Aided Music Instruction Lab (MUB 147) or the Electroacoustic Music Studio (MUB 340). Please sign in and out each time you use the studio or lab.
HEARING SAFETY: It is very important that the student of electroacoustic music be aware of the listening environment in which they are working. The studio environment can, if used improperly, subject the listeners ears to unhealthy sound pressure levels. For more information and links to web sites about hearing health click here .
- last update 17 August 2017 -